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Projects:
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Techniques
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Readings
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Lectures
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Emotion Sketches (7)
due Jan 21
3 points
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Freeing up
expressive gestures
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Introduction
Emotion Sketching
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Gesture Drawings (7)
due Jan 30
3 points
Visual Art inspired from a Written Text
due Feb 6
pick either:
an inspirational individual who made a real difference in the world,
or a work from literature, or a pre-discussed personal research reading
3 points
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Illustration Study Prototype:
Portraits Jan 23
Live Model in Studio:
Jan 28
what is the figure, landscape or
object doing? Which forms are taking over? What are they saying?
create one a digital
drawing or painting or photograph or emerging genre work or combination
that illustrates a concept, environment, event or character from either a
speech, a treatise, or a work of fiction.
Use your imagination and let go. This work could be
either realistic or abstract.
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Gesture Drawing reading
due Jan 23
Barthes 15,16
Barthes 46-48
Due Jan 23
Read by Feb 4:
select a pre-discussed
research reading for inspiration for this assignment,
or
Choice of one:
Galileo Galilei The Starry Messenger
Martin Luther King I Have A Dream
George Saunders Escape from Spiderhead
Richard Powers The Overstory (pick a short chapter,
full text in Folsom library if desired)
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Gesture Drawing
Photography Basics
Barthes Lecture
Portrait
Photography Lecture
Spatial Anomalies
Invisible
Images (Your Pictures Are Looking at You)
The Tondo
Parallax
Stereographic
Projection
Anamorphosis
3D projection
God’s Eye View
Focus
Stacking
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Small Scale high quality Prints (7)
due Feb 20
3 points
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due Feb 15
Solso
Visual Perspective
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Toys
of Today are the Realties of Tomorrow Lecture
Table Top TiltShiftToy,
3d Roundtable,
ECU Lecture
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March 10 & 12 Off for Spring Break
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Please photograph public parks and spaces
you feel could be revitalized while on break
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March
5 (pending availability)
3D Printing review with Mike Rosado email: rosadm@rpi.edu Phone: 518-276-6652
2201 Russell Sage Laboratory
Woodshop review with Abe Ferraro email: ferraa7@rpi.edu Phone: 518-276-2898
1107 Russell Sage Laboratory
(please take and pass the online test beforehand and have taken the Safety
Training Sessions)
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March 17
Live Model in studio
motion
capture session on Wed in Sage Lab room
2510 March 18, 5 – 6pm
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Archival Printing on the Epson 9800
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Large Format Archival Prints (3)
or emerging genre works
due March 19
(minimum size 42” x 36”, max size 84” x 42”)
one on canvass
(20 points) montage, collage, drawings, photographic works, combination or
equivalent emerging genre works
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Evolving studies
Can include:
* Table Top Photography
* Toy Technique
* 3D Roundtable Photography
* ECU Photography
* Portrait Photography
* Landscape Photography
* High speed photography of transient phenomena
or other in- process research including:
* Photographic Sculpture
* Montage & Collage
* Printing and Painting on Digital Canvass
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due Feb 28
due March 5
Oliver Sacks SPEED
and
Hito Steyerl In
Defense of the Poor Image
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The Unseen World
Split Over /
Under Water Photography
Elastic time:
Photographing
Transient Phenomena
Slit Scan
Photography
Evelyn Behance liquify series
https://www.behance.net/evelynbencicova
Rutger Prins
http://create.adobe.com/2016/1/29/when_computers_fly.html
Michelle Rogers Pritzl
http://www.michellerogerspritzl.com/soma#1
Montage_Collage_
InspiringArtists.htm
Landscape Photography Lecture
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motion capture session on Wed in Sage Lab room
2510 March 25, 5 – 6pm
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due March 14
Solso Context,
Cog., & Art
and
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Augmented Reality:
due April 2
(Re-imaging Public Space/Revitalizing Parks/ Making Parks / Geoparks
and Geocaching)
(10 points)
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motion
capture session on Wed in Sage Lab room
2510 April 1, 5- 6pm
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Lev Manovich: The Poetics of
Augmented Space
due March 5
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Lecture on AR and
revitalizing parks and public spaces
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April 9 install
exhibition
Opening Thurs April 11,
6-7pm
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Due April 16
(3 points)
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Choose one of the following for
the final short study:
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Assemblage (1)
using digital
and/or analog techniques, found objects, textures, etc. create 1 expressive 3d mixed media that self generates power or comments upon
energy & sustainability
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composing image & object, juxtaposition, making meaning
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Assemblage Artists on the Net
MoHoly-Nagy Contributions
of Arts to Social Reconstruction
and
Make
a Light Modulator
https://artblart.com/tag/nickel-sculpture-with-spiral/
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Assemblage Lecture
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Stencil Art
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Portraits, graffiti, digital to analog
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WideWalls
Basic hand stenciling
Stencil
Revolution
Laser
Cutting Techniques
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Stencil art Lecture
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Projection
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imaginary places and spaces from light
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Chrissie Iles:
Into the Light: Between
the Still and Moving Image
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Projection Lecture
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FINAL PROJECT
with artist statement and at least 5 references
due
April 28
(43 points)
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personal expression, and direction
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Personal research readings
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Your inspirations, art
historical referencing, philosophical influences, theoretical background,
and technical documentation will be articulated in an artist statement properly cited
and footnoted in
The
Chicago Manual of Style
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web portfolio &
documentation
due
April 30
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summation of all perfected works and documentation of works in
situ
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You can make your web portfolio in html or
Dreamweaver or hand coding or use a web template service.
Links to some web how
to and designs
See portfolio samples:
Andrea
Labgold
Kayla Baltunis
Ethan Kaplan
ADI Spring 19
Portfolios
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