Table Top Photography


Pastorino Diaz Aeroclub

Artists for Possible Inspriation:
James Casebere http://jamescasebere.com/

Wafa Bilial http://wafaabilal.com/html/bio.html
“The Ashes Series will depict miniature model reconstructions of media photographs documenting destroyed domestic interiors resulting from the war in Iraq. Twenty-one grams of human ashes mixed with other organic ashes will be spread over the model landscapes, rendering every object equal in importance. The origins of my photographs may appear to be ambiguous at first, but upon closer observation, the media referents will become clear to anyone familiar with such images. The models will function as transitional spaces, echoing the original media images while also becoming ephemeral.” Wafa Bilial

Mimesis: imitation, showing
Diegesis: telling by narration

How to Tech Tips:

* if colors do not look good try using custom white balance
* Use a reflectors or diffusers with a flood light
* Experiment with depth of field.

Product Photography
https://fstoppers.com/originals/ultimate-tutorial-product-photography-216606

Simple Guide to Natural-Light Tabletop Photography
https://nicolesyblog.com/2019/10/07/tabletop-photography/

Soft Box:
http://www.tabletopstudio.com/

Depth of Field
http://www.azuswebworks.com/photography/dof.html
Please keep in mind:
smaller f/number = shallow depth of field
larger f/number = greater depth of field

PRINT THIS for help in STUDIO with Av (Aperture control):
http://www.shortcourses.com/tabletop/lighting1-4.html

Other:
Depth of Field video
Depth of Field Control

Going off Automatic by Oliva Robinson

Explanations with pictures how the distance you are away from an object changes the depth of field even with the same aperture.
http://photography-on-the.net/forum/showthread.php?t=672913
From Thomas Perlman

This is the link to the depth of field calculator which tells you exactly how much of a scene will be in focus based on the focal length, distance from the object, aperture, and camera sensor size
http://www.dofmaster.com/dofjs.html
From Thomas Perlman

The Tilt-shift “Toy” Look or Miniature Model Effect Photography
tiny models of real life or "scale model effect"
Artists who use this technique:
Esteban Pastorino Diaz http://www.estebanpastorinodiaz.com/
David Leventhal http://www.davidlevinthal.com/works.html
David Burnett http://www.davidburnett.com/index.html

in video:
From Ryanne in Singapore
http://vimeo.com/keithloutit/thelioncity
France Soldier Parade
http://vimeo.com/6037430
Sea Rescue
http://vimeo.com/3156959

in mobile:
Tilt Shift [Miniature effect] in Snapseed Apps for Android | iPhone |
https://www.youtube.com/watch?v=PsCYjEQJcr0

https://iphonephotographyschool.com/tilt-shift/
https://iphonephotographyschool.com/photo-apps/

In Photoshop:
Digitally creating the tilt shift technique:
good step by step tutorial for post-production in photoshop: http://www.tiltshiftphotography.net/photoshop-tutorial.php

http://www.smashingmagazine.com/2008/11/16/beautiful-examples-of-tilt-shift-photography/

Physical techniques of creating this:
Very shallow Depth of Field achieved by shooting at a large aperture. Some are shot using an axis tilt shifting the focus to an unusual plane; again at a large aperture to limit focus to the subject or only a portion of the subject. Taken with a wide angle lens with a shallow DOF with some vigneting. Wide angle lens wide open focusing at the center of the scene with a lens hood (or filter with a wide ring) that results in vignette.

You can use a lense-baby http://lensbaby.com/video.php?id=8 or make your own

DIY shift tilt lens http://www.youtube.com/watch?v=c0rPecCq1tc

I took one of the lenses out of the need a 4x loupe, superglued the loupe to the inside of an old bag I had from a box of paper, and glued the end of the bag fragment to the hollowed out body

3D Roundtable Photography
http://www.tabletopstudio.com/documents/EZspin_photography.htm
http://www.tabletopstudio.com/documents/EZspin_photography.htm#6views

Macro Photography

Macro Photography/Close-up Digital Photography Tutorial by Tony Northrup:
http://www.youtube.com/watch?v=xeFrQZ03_m8

https://www.youtube.com/watch?v=XGgJThUfQwM

by Steve Wall

Tips For Macro Photography – The Extreme Close-Up

by Christopher B. Derrick

Macro photography has always fascinated me because practitioners of the art/craft continually amaze me with the small details of our gigantic world.  Much like a Seinfeld bit, Macro photography typically consists of finding an everyday object and photographing it at such close proximity that the perhaps mundane — now taken out of context — is startling and interest-piquing.  Marco photography can be extra enjoyable and elucidating; as you’ll be pleasantly surprised by the myriad of minute details your camera records.  Icicles hanging on a tree branch or side of house can become surreal when viewed through macro photography.

Photo by Jerry Kirkhart

Avoid Camera Shake

When you shoot Macro, your Depth of Field is extremely shallow, so critical focus is paramount to get a more than good shot.  And what’s the main culprit for soft focus in marco photography?  You guessed it, camera shake.  To avoid camera shake you’ll need to shoot at a higher shutter speed, use a tripod and/or a cable release.  Also, never, never, never use the Auto Focus setting when doing Macro photography, because the computer can easily be tricked (not that it matters if you have a huge memory card, but why waste the time?).  By manually focusing your lens, you have precision control of what tiny – but now huge – details will be the center of attention.

Photo by Hamed Saber

Composition

With macro photography, you can (and should) take your time to get the composition precisely perfect (or perfect for what you envision), so don’t hesitate to move up, down and all around the subject of your gaze.  Unless you’re shooting a bumblebee or a humming bird, you have no time constraint, so using bracketing to get the best exposure to match the flawless composition.  Bracketing, if you didn’t know, is taking at least three of the exact same photographer at different exposures (over, neutral and under) to get color accuracy & vibrancy, shadow & highlight detail and depth of field that you can compare and make the most dynamic selection.

Photo by Aitor Escauriaza

Checklist

Here are some quick things to remember, sort of a checklist, for macro photography:
1. Simplify your image as much as possible.
2. Fill as much of the frame as possible with your subject.
3. Over-compensate for sharp focus.
4. Experiment with various angles to find the most aesthetically pleasing.
5. Be very aware of the background (which will be out of focus) and eliminate anything that will be distracting. 

Macro photographs show you details of the world that are more often than not overlooked, because even the simplest subject can seem more than important and poignant when its surface details are being examined at such a high magnification.  Remember, by looking closer – borrowing a phrase from American Beauty — you’ll see that you have a whole new array of subjects to photograph.

Ken Rockwell: How to shoot macro has other ideas and tips on lenses to use
http://www.kenrockwell.com/tech/macro.htm