Projects/Schedule/Readings
Jan. 18
Discuss- Overview of
the course
* the creative
process, the importance of journal keeping, studio practice
What is Digital
Imaging?
from SIGGRAPH Art Show to Tokyo Plastic to Brown to Text Arc to GameArt, media interventions, and beyond
Basics:
The
Composition
Form
Perspective
Light
Color
Proportion
http://www.arts.rpi.edu/~ruiz/Lessons/lesson5proportion/Proportion.htm
Motion
_____________________
The Golden Section:
interrelationship and
harmonic divisibility http://www.arts.rpi.edu/%7Eruiz/IMAGING/goldensec.html
*
perception/vision/allegory/context
Bit Depth
http://www.arts.rpi.edu/~ruiz/Lessons/lesson1bitdepth/bitmap.html
File Formats
Basic Graphics File Formats
Color
Short Study 1 –
Observer or Observed: Micro/Marco Surveillance
(Due week 2, Jan. 25)
Use scale- take
two different photographs (for instance one of a satellite image and one of you
or your house or residence). Scale them unusually so that new meanings emerge
which challenge our perception of the accepted world. Color -
selectively recolor specific aspects of this image for emphasis.
(Due Jan 22)
* Jeremy Bentham The Panopticon
* Hurlbert, Alan. The Design
Concept, pgs. 10-15
create a
short reaction paper
Jan 22
Discuss
Lecture: Observer or Observed?: Micro/Macro Surveillance
Show:
“Power of Ten”- Charles and Ray Eames
The Senses
(as commonly known)
Artists: IAA, Daniela
Kostova, Olivia Robinson, Stanza
Studio &
Techniques: low
res/high res, scan
basics, scan tips, image resolution,
composition, scale, compositing, advanced cutting and pasting, feathering,
quick mask, scale, color depth, layers, channels, color
theory, creating
realistic cast shadows, Layers Magazine
Jan 25 Critiques
Short Study 2 –
Looking/Seeing: Veracity in Telling a Story:
Inclusion/Exclusion in Photo-journalism
(Due week 4, Feb. 8)
(awareness of one’s
“natural” environment)
After studying various
types of photojournalistic approaches in making a visual statement, create a short
photographic essay about a real person, event, or occurrence. Without using any
special visual effects (except color correction, red eye reduction or
defocusing), use cropping, experimental composition, and other techniques of
inclusion and exclusion to illustrate at least 24 ways of looking at the same
"real" visual information. Show all 24 images and pick 5 of the
best images to illustrate your story. Print these 5 images on the high end
Epson 10,000 printer. (Text can be used as captions if desired.
(due Jan 29)
* Sturken, Marita &
Cartwright, Lisa. Practices of Looking: an Introduction to Visual Culture,
pgs. 10-44
* “Troubles in Truthsville”.
A Conversation among Ken Feingold,
create a
short reaction paper
Jan 29
Discuss
Lecture: Looking/Seeing: Veracity in Telling a Story:
Inclusion/Exclusion in Photo-journalism
Show:
“Un Chien Delicieux” - Ken Feingold
Framing http://facweb.cs.depaul.edu/sgrais/SGframing.htm
Shadow http://facweb.cs.depaul.edu/sgrais/SGshadows.htm
Portrait http://facweb.cs.depaul.edu/sgrais/SGportrait.htm
Feb 1 & 5
Studio &
Techniques:
overview of the
digital camera
Photographic
Techniques:
digital photographic
techniques, the gaze, framing the picture, camera angles,
printing to the Epson
10,000 archival printer,
gamma correction
Feb 8 Critiques
Short Study 3 –
The Restoration of Memory: Your Personal Visual
History
(Due week 6, Feb. 22)
(the space of memory)
Part one: expert
photo-retouching of an old family photograph.
Part two: photomontage
a new family portrait which defies time and "truth".
(due Feb 12)
* Rovira, Jim.
Baudrillard and Hollywood:subverting the mechanism of control and
The Matrix, pgs. 1-3.
create a
short reaction paper
Feb 12
Discuss
Lecture: The Restoration of Memory: Your Personal Visual History
Show:
Adam Berliner’s film “Nobodys Business” (1996) http://www.alanberliner.com/flashdev3/viewing.html
Nancy Burson
http://www.nyu.edu/greyart/exhibits/burson/
Feb 15 & 20 (NO
CLASS ON FEB 19 (Monday classes meet on Tuesday this week)
Studio &
Techniques: advanced scanning, filtering, blending,
compositing, printing, traditional
photomontage & digital photomontage techniques, cutting, pasting,
feathering edges, layers, rubber stamp, dust and scratches filter, healing
brush, colorizing, composting, techniques of lighting and shadow, composition
and posing conventions of different eras.
Printing, file prep, show various kinds of output from the same image
Photo retouching
http://glennferon.com/portfolio1/index.html
http://towergardens.homestead.com/photoretouching.html
http://www.zarron.co.uk/port_big/retouching_master.jpg
http://www.ronking.com/Enhancements.html
http://www.smpstudio.com/digret.htm
http://www.iconotrope.com/
Advanced Selection techniques:
http://www.phototakers.com/articles/articles/35.html
Photoshop techniques:
http://www.photoshoproadmap.com/links/go/1777
Duotone:
Aged image technique:
http://www.layersmagazine.com/postcard-from-japan-part-1.html
Feb 22 Critiques
(Due week 9, March 15)
(Due Feb 26)
Crary, Jonathan.
Techniques of the Observer
create a short reaction paper
Lecture:
Panorama
Function: noun 2. A comprehensive presentation;
a survey: a panorama of American literature. 3. A picture or
series of pictures representing a continuous scene, often exhibited a part at
a time by being unrolled and passed before the spectator. 4. A mental vision
of a series of events. Some examples of
panoramas: http://www.getty.edu/art/gettyguide/displayObjectList?cat=2032994 http://www.archives.gov/exhibits/panoramic_photography/panoramic_home.html |
|
http://www.file.org.br/index.php?content_id=171&sel=9.0&lang=en
Consider
* how images can be used to effectively tell
stories of all kinds?
* consider options for exhibiting narratives -
long thin scroll? Hung vertically? Or horizontally? Rectangle? Circle?
* think about composition/image/form and color
working together (remember the temple of art)
* Thoughtfully select and edit the group’s images
* Ethics in creativity -creative integrity -the
life and times of Leni Riefenstahl. If you can imagine it, it could happen.
Elements of Good
Collaboration:
Elements of good
collaboration: group discussion, mutual respect, listening, responsibility,
concrete schedule and time management, creative responsibility.
See: My Tips for Successful Collaboration
Show
Robert & Shana
ParkeHarrison
http://www.edelmangallery.com/parke.htm
http://www.eastman.org/fm/mismis/htmlsrc27/parkeharrison_sld00001.html
Show:
Anthony Goicolea
http://www.anthonygoicolea.com/pages/multipleframe.html
http://www.anthonygoicolea.com/NewAnthonySite/pages/indexnew.html
David Hockney Hockney:
Pearblossom Highway video (3:12)
Table Top Photography & Imaginary Worlds:
James Casebere
http://artscenecal.com/ArticlesFile/Archive/Articles2000/Articles0600/JCasebereA.html
http://www.marcselwynfineart.com/artists/casebere/casebere.html
http://mocoloco.com/art/archives/002089.php
http://www.bombsite.com/casebere/casebere2.html
Narratives in Painting and Photographic Imaging:
Hieronymous Bosch Flemish painter 1450-1516
http://www.abcgallery.com/B/bosch/bosch.html
http://www.idr.unipi.it/iura-communia/bosch.jpg
http://catalogue.ircam.fr/images/bosch-tenta2.jpg
Innovative panoramic and semi-immersive ideas:
Jeffrey Shaw: the Legible City:
http://www.jeffrey-shaw.net/html_main/frameset-works.php3
Caves
http://www.cs.brown.edu/~dfk/cavepainting/index.html
Photomontage: the technique of combining in a single
composition pictorial elements from various sources, as parts of different
photographs or fragments of printing, either to give the illusion that the
elements belonged together originally or to allow each element to retain its
separate identity as a means of adding interest or meaning to the composition.
Collage: a technique of composing a work of art by
pasting on a single surface various materials not normally associated with one
another, as newspaper clippings, parts of photographs, theater tickets, and
fragments of an envelope.
Assemblage:
a sculptural technique of organizing or composing
into a unified whole a group of unrelated and often fragmentary or discarded
objects.
Show:
A Short History of Photomontage/Collage
Photomontage
tutorials:
http://www.projectseven.com/tutorials/images/p_montage/index.htm
March 1 & then (Off for Spring Break, March 5
thru 9, enjoy)
Technique review:
perfecting images for panorama: blending, stitching, advanced photo compositing
and overlap, and dynamic composition, montage/collage digitally and
traditionally, panorama, text, high end printing
Experimenting with Panorama Tools:
Quicktime VR: http://www.dr-lex.34sp.com/qtvr/makepano.html
Polar Panorama http://www.3drender.com/light/PolarPan/
Panorama Tools: http://webuser.fh-furtwangen.de/%7Edersch/
Other: Stereo
imaging
March 12
Studio work
March 15 Critiques
Short Study 5 –
Imaginary Space: Level Design
(Due
March 19)
Postman,
Neil. Technopoly: The Surrender of Culture to Technology.
create a
short reaction paper
March 19
Discuss
Lecture: Imaginary Space: Level Design
Level Design:
* Adams
and Rollings The Level Design Process
Mise-en-scene:
http://classes.yale.edu/film-analysis/htmfiles/mise-en-scene.htm
March 22
Studio &
Techniques: Flash, digital & traditional painting/drawing,
advanced scanning
Flash sites : http://www.macromedia.com/cfusion/showcase/index.cfm
Feng Zhu Design http://www.fengzhudesign.com/tutorials.html
March 26 Critiques
Short Study 6 -
Flash Stories
(Due week 13, Monday April 9)
Create an original
personal story based on your life’s experiences, events, or pathways. You may
wish to create an interactive digital map of your personal history. Create a
flash animation of 1 to 2 minutes in length, suitable for posting to the web.
Work with movement, timing, juxtaposition, sound, composition, color, etc. to
tell your "story".
Consider
what it is you wish to say, storyboard it, develop a style, and go forth.
Amazing Flash Websites
from Jeremy:
http://www.2advanced.com/
- site for a design firm. Very rich content- kind of intense, definitely at the
far end of the Flashiness Scale if you know what I mean.
http://www.newgrounds.com/portal/
- Flash community portal. The majority of the submissions to the site exhibit a
sort of Everyman's Flash.
http://www.joecartoon.com/
- ancient (though still active) Flash cartoon site. The artist is a member of
the first wave of Flash animators; his work is low-keyframe, with rudimentary
interactivity.
http://www.bornmagazine.org/mother.html
- an online magazine of Flash poems- literary poems augmented by Flash content.
Visionary stuff.
http://www.ferryhalim.com/orisinal/
- warm, mellow games based on simple interactive principles.
http://www.tokyoplastic.com/
- I hardly know what it is, but it's cool. Students are encouraged to check out
the animation "drum machine". (The 3D animation in tokyoplastic is generated
through an application known as Swift3D; though cool, 3D is really the least
practical animation format in Flash.)
http://showcase.sfdt.com/files/14842-XiaoXiao03.swf
- stick figures fighting (hosted on Stick Figure Death Theatre).
http://www.ninjai.com/
- an extremely, extremely violent but well done animation project made entirely
by stuntpeople who double as animators. (I'm not kidding, it gets really
sickeningly violent.)
http://www.samorost.net/samorost1/
http://www.samorost.net/samorost2/
Samorost- two
interactive puzzle stories that use photographic elements to create an
immersive environment.
http://www.homestarrunner.com/
- Self-explanatory; a self-sustaining Flash phenomenon, whose success relies
mostly on its cult status.
And finally, here's a
website that describes in detail the visual aesthetic of Flash media, brought
on by its accessibility to absolute beginners: http://alistapart.com/articles/flashaesthetic
.
Show:
Guto Nóbrega
Institutional affiliation: UFRJ - Universidade Federal do Rio de Janeiro
Title: cache memory
http://www.gutonobrega.hpg.ig.com.br/memory.swf
His main interests are
interactivity and interface as a way to think about new realities constructed with
the help of digital technologies and how digital body can converge as a hybrid
with our physical body and space. http://www.pobox.com/~gutonobrega
http://www.gutonobrega.hpg.ig.com.br/meiodigital.swf
This is a work about
time and memory. The memory recovered by the photos and the memory of the
computer that allows interaction with the digital image on the web site. Cache
memory shows that the past, the present and the future cam be by one click of
your fingers, collapsed by the interface of new media.
Circle of
Storytellers: http://www.pbs.org/circleofstories/
Lesson: Movement
http://www.arts.rpi.edu/~ruiz/MediaStudio/LECTURES/ANIMATION/lesson4motion/Motion.htm
persistence of vision
http://www.privatelessons.net/2d/sample/m01_03.html
http://www.wikipedia.org/wiki/Animation
See some of the other Chinese students’ previous works at: http://zquart.tomrchambers.com/exhibdir.html
See their school at: http://www.zqu.edu.cn/dept/msx
Some Information about
Film Analysis Guide http://classes.yale.edu/film-analysis/
March 29 & April
2:
Studio & Technique Intensive: Flash animation including: cinema techniques, mise-en-scene, movement, timing, juxtaposition, sound, composition, color
Mastering Flash:
* Do the basic
tutorial in the application, then:
* Layer
& Animation explained in Flash
* Designing
and Animating Characters in Flash 8
* Lots of Flash
Tutorials http://www.developal.com/tutorials/tutorials252.html
* Some Flash
games http://www.albinoblacksheep.com/games/
* Animating Your Adobe Photoshop Files in Flash 8
April 5: Studio
April 9: Critique
Final Project:
Activating public spaces with digital images, installations,
and art delivery systems
*****create a short reaction paper
And
*****create a short reaction paper
(due April 12)
April 12
Discuss
Lecture: Activating
public spaces with digital images, installations, and art delivery systems
* final project ideas
* Web space/Physical
space
* art
delivery systems,
* public
art
* printed
digital billboards & murals
Technique:
Image prep for the
net, basic html & Dreamweaver
Show
Mariko Mori
http://www.carnegiemuseums.org/cmag/bk_issue/1998/julaug/feat5.htm
http://www.galerieperrotin.com/artiste_.php?id_=26&&nom_=Mariko%20Mori&&dossier=Mariko_Mori#
http://www.jca-online.com/mori.html
http://en.wikipedia.org/wiki/Mariko_Mori
http://www.thefirstpost.co.uk/index.php?menuID=4&subID=889
Martin Puryear
Krzystof Wodiczko,
film
the public art space
manipulator and installation artist http://www.offlinenetworks.com/artistinfo/artistpages/kwodiczko.html
see film
on Claus Oldenberg and Coosje van Bruggen
also see http://www.oldenburgvanbruggen.com/
Artist Statement & Digital Ideograph
–
Due week 14, April 16
Final Project pre-REVIEWS
April 19
ALL FULLY REALIZED FINAL PROJECTS DUE (IN SITE: April
23
On-site
Critiques
The actual project manifested as an original
(billboard, large poster series, drive by car art, aerial art, photo
projection, data projection, etc.) art system device that carries your message
to those who may not have the opportunity to see your work inside a normal
gallery environment. Your work must be realized
physically and you must photograph the work in the site
ALL FINAL
* Your
complete CD containing:
Instructions for CD
preparation:
* one
folder entitled:
*and another folder
entitled: