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Projects:
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Techniques
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Readings
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Lectures
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Emotion Sketches (7)
due Jan 28
3 points
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Freeing up
expressive gestures
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Introduction
Emotion Sketching
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Gesture Drawings (7)
due Feb 4
3 points
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Illustration Study Prototype:
Portraits
What is the figure, landscape or
object doing? Which forms are taking over? What are they saying?
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Reading: due Feb 4 Gesture Drawing
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Gesture Drawing
Photography Basics
Portrait
Photography Lecture
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Visual Art inspired from a Written Text
due Feb 11
pick either:
an inspirational individual who made a real difference in the world,
or a work from literature, or a pre-discussed personal research reading
3 points
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create one a digital drawing or painting or photograph or
emerging genre work or combination that illustrates a concept, environment,
event or character from either a speech, a treatise, or a work of fiction.
Use your imagination and let go. This work could be
either realistic or abstract.
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Reading: due Feb 9
Please pick one below
/ or use a pre-approved reading from your own on-going research:
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Galileo
Galilei The
Starry Messenger
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Martin
Luther King I
Have A Dream
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George
Saunders Escape
from Spiderhead
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Richard
Powers The
Overstory (pick a short chapter, full text in Folsom library
if desired)
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Amanda
Gorman The
Hill We Climb
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Spatial Anomalies
Invisible
Images (Your Pictures Are Looking at You)
The Tondo
Parallax
Stereographic
Projection
Anamorphosis
3D projection
God’s Eye View
Focus
Stacking
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Small Scale high quality Prints (7)
due Feb 25
3 points
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Reading: due Feb 16
Roland Barthes Barthes 15,16 Barthes 46-48
Solso Visual Perspective
Reading: due Feb 18 Oliver Sacks SPEED and Hito Steyerl In
Defense of the Poor Image
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Barthes Lecture
Toys
of Today are the Realties of Tomorrow Lecture
Table Top TiltShiftToy,
3d Roundtable,
ECU Lecture
Elastic time:
Photographing
Transient Phenomena
Slit Scan Photography
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March
2 (pending availability)
3D Printing review with Mike Rosado email: rosadm@rpi.edu Phone: 518-276-6652
2201 Russell Sage Laboratory
Woodshop review with Abe Ferraro email: ferraa7@rpi.edu Phone: 518-276-2898
1107 Russell Sage Laboratory
(please take and pass the online test beforehand and have taken the Safety
Training Sessions)
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Archival Printing on the Epson 9800
3D printing
Laser printing
Woodworking
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Large Format Archival Prints (3)
or emerging genre works
due March 18
(minimum size 42” x 36”, max size 84” x 42”)
one on canvass
(20 points) montage, collage, drawings, photographic works, combination or
equivalent emerging genre works
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Evolving studies
Can include:
* Table Top Photography
* Toy Technique
* 3D Roundtable Photography
* ECU Photography
* Portrait Photography
* Landscape Photography
* High speed photography of transient phenomena
or other in- process research including:
* Photographic Sculpture
* Montage & Collage
* Printing and Painting on Digital Canvass
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Reading: due March 16
Solso Context, Cog.,
& Art
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The Unseen World
Split Over /
Under Water Photography
Evelyn Behance liquify series
https://www.behance.net/evelynbencicova
Rutger Prins
http://create.adobe.com/2016/1/29/when_computers_fly.html
Michelle Rogers Pritzl
http://www.michellerogerspritzl.com/soma#1
Montage_Collage_
InspiringArtists.htm
Landscape Photography Lecture
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Augmented Reality:
due April 1
(Re-imaging Public Space/Revitalizing Parks/ Making Parks / Geoparks
and Geocaching)
(10 points)
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Reading: due
March 25
Lev Manovich: The Poetics of
Augmented Space
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Lecture on AR and
revitalizing parks and public spaces
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April 6 & 8
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Class creates
a virtual online exhibition
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Due April 15
(3 points)
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Choose one of the following for
the final short study:
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Assemblage (1)
using digital
and/or analog techniques, found objects, textures, etc. create 1 expressive 3d mixed media that self generates power or comments upon
energy & sustainability
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composing image & object, juxtaposition, making meaning
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Assemblage Artists on the Net
MoHoly-Nagy Contributions
of Arts to Social Reconstruction
and
Make
a Light Modulator
https://artblart.com/tag/nickel-sculpture-with-spiral/
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Assemblage Lecture
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Stencil Art
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Portraits, graffiti, digital to analog
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WideWalls
Basic hand stenciling
Stencil
Revolution
Laser
Cutting Techniques
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Stencil art Lecture
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Projection
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imaginary places and spaces from light
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Chrissie Iles:
Into the Light: Between
the Still and Moving Image
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Projection Lecture
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FINAL PROJECT
with artist statement and at least 5 references
due
April 29
(43 points)
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personal expression, and direction
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Personal research readings
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Your inspirations, art
historical referencing, philosophical influences, theoretical background, and
technical documentation will be articulated in an artist statement properly cited
and footnoted in
The
Chicago Manual of Style
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web portfolio &
documentation
due
May 4
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summation of all perfected works and documentation of works in
situ
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You can make your web portfolio in html or
Dreamweaver or hand coding or use a web template service.
Links to some web how
to and designs
See portfolio samples:
Andrea
Labgold
Kayla Baltunis
Ethan Kaplan
ADI Spring 19
Portfolios
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